Spannocchi Siewert Schwarz Jardim – ease & ooze

Spannocchi Siewert Schwarz Jardim - ease & ooze

Spannocchi Siewert Schwarz Jardim – ease & ooze

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ease & ooze is the debut album from four of Europe’s most exciting contemporary improvisers: Guido Spannocchi (alto sax), Martin Siewert (guitar, effects), Gina Schwarz (electric bass, prepared electric bass) and Matheus Jardim (drums). Spanning genres, generations, genders, histories and continents, Spannocchi Siewert Schwarz Jardim had never been in the same room let alone played music together before the recording of this album. Tracked in an afternoon at Audiomanufaktur Studios (Vienna) and without cuts, edits or overdubs, ease & ooze beautifully captures the spontaneous creation of distinct compositions and soundscapes. It is a four-way musical conversation illustrating the elusive truth that playing together is always secondary to listening together.

Tracks:

  1. Prelude
  2. Allegro
  3. Vertigo
  4. Triple Axle
  5. Scherzo
  6. Coda

All songs collectively spontaneously composed by
Guido Spannocchi – alto saxophone
Martin Siewert – guitar, slide guitar, effects
Gina Schwarz – electric bass
Matheus Jardim – drums

Recorded at Audiomanufaktur Vienna by Florian Jauker, mixed and mastered by Martin Siewert. Artwork screenprint on 35mm film by Julia Vogl 2021. Guido Spannocchi is endorsed by Austrian Audio, Corry Bros Mouthpieces UK and Marca Reeds France.

Catalog Number
CR2110SP

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Laushaus
The Lie Detectors – Part III: Secret Unit
Xander Naylor – Continuum

Shay Hazan Quintet – Nuff Headlines

Shay Hazan Quintet - Nuff Headlines

Shay Hazan Quintet – Nuff Headlines

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Bassist and composer Shay Hazan is a mainstay on the vibrant Tel Aviv jazz scene. His new album Nuff Headlines finds him in the leadership role, a rare (although not unheard of) position for a bass player. The quintet is filled out by the two-horn duo of Tal Avraham on trumpet and Eyal Netzer on saxophone, along with Milton Michaeli on piano and Haim Peskoff on drums. Hazan’s musical roots spread far and wide into the magical realm of Moroccan Gnawa music (Hazan often plays gimbri, the traditional three stringed skin-covered bass lute), the new wave of hip hop, and the 1960’s Chicago free jazz and human rights movement. These roots all feed the single organism of the band, with Hazan leading from the bottom, anchoring and propelling the music with a force only a bassist can provide.

Tracks:

  1. Beber’s Cha Cha
  2. Evening Puja (Netzer)
  3. Vertigo
  4. Kebero
  5. Desert Snake
  6. Olam
  7. Old Tart (ft. Rosa Lea Salmon)

Credits:
Tal Avraham – trumpet
Eyal Netzer – saxophone, zurna
Milton Michaeli – piano
Shay Hazan – bass, gimbri, percussion
Haim Peskoff – drums, percussion
Rosa Salmon – vocals (Old Tart) Nir Tom Sabag – lyrics (Old Tart)

Recorded December 18th 2019
Haogen Studios with Shlomi Gvili and Nitzan Levi
Mixed & Edited by Nitzan Levi and Shay Hazan

Catalog Number
CR2109SH

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Santiago Leibson Trio – Little Pieces
Germani / Boni / Genovese / Marcocci / Kim – Leave It Blank For Now
Eyal Talmudi – Even If

The Klezmatics – Letters to Afar

Klezmatics - Letters To Afar

The Klezmatics – Letters to Afar

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The Klezmatics are globally-renowned world music superstars — and the only klezmer band to win a Grammy award. The Klezmatics emerged out of the vibrant cultural scene of New York City’s East Village in 1986 with klezmer steeped in Eastern European Jewish tradition and spirituality, while incorporating contemporary themes such as human rights and anti-fundamentalism and eclectic musical influences including Arab, African, Latin and Balkan rhythms, jazz and punk.

Letters to Afar, The Klezmatics’ 13th and most adventurous release to date, contains music composed for Hungarian found-footage artist Péter Forgács’ acclaimed installation of Polish-Jewish historical films sourced from the YIVO Institute for Jewish Research. The music is evocative, ambient and by turns psychedelic, meditative and illuminating. This is The Klezmatics as you’ve never heard them – deeply rooted in the traditions of klezmer and experimental avant-garde musics; Klezmatics filtered through Brian Eno, David Torn, Duke Ellington, Morton Feldman and electronica.

Tracks:

  1. HoraLité
  2. Blut
  3. Tish Nign
  4. Olem-Haze
  5. Dray Fidlen
  6. Flarp
  7. DeParnu
  8. Nign Forgács
  9. Tish Nign (Mizrekhdik)
  10. Oylem-Habe
  11. Shlofn Afn Yam
  12. Naftule-Tsikl
  13. Kandel
  14. Beymer
  15. Nign Forgács (Instrumental)

Credits:
The Klezmatics
Richie Barshay: percussion
Matt Darriau: clarinets, kaval
Lisa Gutkin: violin
Frank London: brass
Paul Morrissett: bass, tsimbl
Lorin Sklamberg, accordion, piano, voice

With John Mettam, drums (track 12), miscellaneous percussion
Recorded April 11-12, 2013 at Park West Studios, Brooklyn, NY by Jim Clouse
Mastered by Andrew Felluss @ MusicNetwork SRC, New York City (March 5th, 2021)
MAX XP processing by Guy Barash
DeParnu (track 7) mixed by Greg Anderson

Letters to Afar, a film by Péter Forgács

Catalog Number
CR2108TH

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Ben Holmes – Naked Lore
Sandcatchers – What We Found Along The Way

Zion80 – Warriors RMX

Zion80 - Warriors RMX

Zion80 – Warriors RMX

Limited edition of 50 CDs with hand-painted digipaks / each one a unique design / numbered and signed by Jon Madof. Order it here »

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Zion80’s Warriors RMX is a reworking of songs from 2017’s Warriors EP. The 10-piece band’s signature groove-heavy sound of out-front horns, organic percussion, electric guitars and keyboards lends itself very well to the art of the remix. The album kicks off with a mix of “Pardes” by Curha (aka Curtis Hasselbring), adding a dose of quirky electronica to the song’s Latin-jazz groove (think Eddie Palmieri meets Autechre). The album’s only vocal track is a mix of “In Our Youth” by producer Smoke M2D6, featuring indie rapper/poet ePHRYME and some added guitar work from Zion80 bandleader Jon Madof. Madof takes the reins on a dub-heavy mix of “Wandering Stone,” with nods to producers Bill Laswell and King Tubby. London-based producer and multi-instrumental wizard Koby Israelite runs “Holy Brother” through the mashup meat grinder, adding blast-beat drums and chaotic jump-cuts along the way. The album finishes with an instrumental version of “In Our Youth,” bringing the album to a close and hinting at things to come from a live band who, after eight years and four studio albums, has only begun to expand their musical horizons into uncharted territory. Available as a limited edition CD with hand-painted digipak cover »

Tracks:

  1. Pardes – Curha RMX
  2. In Our Youth – Smoke q RMX (feat. ePRHYME, Jon Madof)
  3. Wandering Stone – Jon Madof RMX
  4. Holy Brother – Koby Israelite RMX
  5. In Our Youth – Smoke M2D6 Instrumental RMX (feat. Jon Madof)

Credits:

  1. Pardes – Curha RMX
    Curha – production
  2. In Our Youth – Smoke M2D6 RMX (feat. ePRHYME, Jon Madof)
    ePRHYME – vocals
    Jon Madof – guitar, production
    Smoke M2D6 – production
  3. Wandering Stone – Jon Madof RMX
    Jon Madof – production
  4. Holy Brother – Koby Israelite RMX
    Koby Israelite – keyboard, bass, drums, production
  5. In Our youth – Smoke M2D6 Instrumental RMX (feat. Jon Madof)
    Jon Madof – guitar
    Smoke M2D6 – production

All songs mastered by James Dellatacoma at Orange Music, NJ
Cover design by Talia Madof

Catalog Number
CR2107ZI

Related:
Zion80 – Warriors
Ruthless Cosmopolitans – Ruthless
Yemen Blues – Live

Adaya Godlevsky and Haggai Fershtman – Sonia

Haggai Fershtman and Adaya Godlevsky - Sonia

Adaya Godlevsky and Haggai Fershtman – Sonia

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Sonia is an album of improvised music for harp, electronics, voice, drums and percussion by Israeli musicians Haggai Fershtman (drums, percussion) and Adaya Godlevsky (harp, voice, electronics). The unusual instrumentation creates a palate of sounds drawing on influences including contemporary classical music, avant-garde jazz and electronic music. Fershtman has toured internationally with artists including Katamine, Monotonix and Assaf Avidan, and has appeared on numerous recordings. Godlevsky is an interdisciplinary artist working in music, theater and performance art. Sonia, recorded in Tel Aviv in June 2020, is a loving tribute to the memory of Sonia Barchilon (1976-2017) Haggai’s wife and Adaya’s good friend.

Tracks:

  1. Part 1: Library Cleaner
  2. Part 1: Martian Spa
  3. Part 1: Kishuf
  4. Part 1: Full Turtle To Nowhere
  5. Part 1: A Secret
  6. Part 1: Take-A-Way
  7. Part 2: Sonia
  8. Part 2: Hildegard-Phone-Beam-Her
  9. Part 2: Cajun Queen Kitchen
  10. Part 2: White Raven
  11. Part 2: Later Night Show
  12. Part 2: A Secret Mission For Agent Fish
  13. Part 2: Night Trains

Harp, Voice and Electronics: Adaya Godlevsky
Drums and Percussion: Haggai Fershtman
Recording and Mixing: Ronen Hajaj
Assistant Engineer: Guy Shavitt
Mastering: Ronald Boersen
Photo Cover: Sonia Barchilon
Design: Dikla Benano
Recorded at Pluto Studios, Tel Aviv, June 2020

Special thanks to:
Anat Levin
Ariela Rosen
Assaf Tager
Avishai Cohen
Dganit Elyakim
Dikla Benano
Ophir Ilzetzki
Tom Soloveitzik
Uri Levinson
Family and Friends

Catalog Number 
CR2106HA

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The Lie Detectors – Part III: Secret Unit

Randi Pontoppidan & Sissel Vera Pettersen – Inner Lift

Randi Pontoppidan/Sissel Vera Pettersen - Inner Lift

Randi Pontoppidan / Sissel Vera Pettersen – Inner Lift

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Conceived by master vocal improvisers Sissel Vera Pettersen & Randi Pontoppidan, Inner Lift draws on various traditions and genres to create a sound world entirely unto itself. Curious, searching, meditative, melodic, rhythmic, ambient and powerfully evocative, the album was constructed using only the human voice, live processing and the minimal instrumentation of a zither and Tibetan singing bowls. But the whole is truly far more than the sum of its parts, encompassing the melding of minds, voices and spirits into a stunningly beautiful collection of new music. Sissel Vera Pettersen is artistic director of Trondheim Voices and has collaborated with Chick Corea, Marilyn Mazur, Jon Balke, Lionel Loueke, John Hollenbeck, Theo Bleckmann, Marc Ducret, Terje Isungset and others. Randi Pontoppidan has toured worldwide with Theatre of Voices and has collaborated with artists including Greg Cohen, Joélle Léandre, Thomas Buckner, Simon Toldam, Jamaladeen Tacuma, and IKI.

Tracks:

  1. Come
  2. Ethereal
  3. Mazuu
  4. Inner Lift
  5. Raindrops
  6. Traces
  7. Ohro
  8. Swimmingly
  9. Still Safe

All tracks improvised live, no overdubs.

Sissel Vera Pettersen: voice, live electronic processing, singing bowls 

Randi Pontoppidan: voice, live electronic processing, prepared zither

Recorded by Thomas Vang in The Village Studio
Mixed by August Wanngren in Virkeligheden Studio
Mastered by Morten Bue
Produced by Sissel Vera Pettersen & Randi Pontoppidan
Photos: Hanne Hvattum
Cover design/concept: Ernesta Vala
Supported by Koda Culture Funds & Norwegian Arts council

Catalog Number 
CR2105RA

Related:
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Randi Pontoppidan & Christian Rønn – HEAD¨SPACE
Event Horizon (Greg Cohen and Randi Pontoppidan) – Space Geode
Randi Pontoppidan – ROOMS

Dörner/Lea/Lyregaard – Huckleberry Friend

Dörner/Lea/Lyregaard - Huckleberry Friend

Dörner/Lea/Lyregaard – Huckleberry Friend

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At a time when musicians the world over are only beginning to think about returning to the pre-pandemic days of live music, the next best thing might just be a brand new album of music created completely in the moment in front of a live audience. Recorded just before the pandemic began at The Monday Club and Klub Primi in Copenhagen, Denmark on February 17 and 18, 2020, ‘Huckleberry Friend’ is a document of three master European improvisers doing what they do best: feeding off the energy of the audience and each other to make spontaneous music in their own unique language, never to be repeated again. Vocalist Birgitte Lyregaard (Alain Jean-Marie, Brice Soniano, Toma Gouband) brings a unique palette of sound to free improvisation. Having studied voice since early childhood, she has developed her own unique style of imitation, poetry, timbres and an exploration of the outer limits of vocal expression. Trumpeter Axel Dörner (Otomo Yoshihide, Paul Lovens and Phil Minton) has over 150 albums to his name and is the 2019 recipient of the Jazzprize of the City of Berlin. Rounding out the trio is tenor saxophonist Marthe Lea (Trilok Gurtu, Bugge Wesseltoft, Alasdair Roberts), a musician with wide-ranging influences including free jazz, Norwegian folk music, Moroccan gnawa and traditional Indian music.

Tracks:

  1. Three Rivers, One Flood
  2. Multiplicities
  3. Paddle Screamer
  4. Monday Stove
  5. Shifts Adrift
  6. Waiting for Tom
  7. A Crack in the Hull
  8. Onto the Moon
  9. Firefly
  10. Pine Tree Flicker
  11. Pursuits
  12. Huckleberry End

All music performed and created by the Dörner/Lea/Lyregaard Trio
Axel Dörner: Trumpet
Marthe Lea: Tenor Saxophone
Birgitte Lyregaard: Vocals

Recorded Live at The Monday Club and Klub Primi in Copenhagen, February 17 & 18, 2020
Recording: Thomas Vang, The Village Recording
Producing and editing: Claus Poulsen and Birgitte Lyregaard
Mix and Master: John Fomsgaard, Karma Music
Cover Layout and Design: Julija Morgan
Cover illustration: Birgitte Lyregaard
Vinyl Print: Nordsø Records Pressing Plant

We wish to warmly thank Kresten Osgood and everyone at the Monday Club and Morten Lerhard and everyone at Klub Primi – for receiving us so kindly.

This album has been realized through the kind support of Koda Cultural Funds, Danish Composer’s Society, The William Demant Foundation, JazzDanmark and Norwegian Jazz Forum. 

Catalog Number 
CR2104DO

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XOL – XOL Plays X.EN
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Alfred Kpebesaane & Brittany Anjou – Nong Voru / Fake Love

Alfred Kpebesaane & Brittany Anjou – Nong Voru / Fake Love

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Nong Voru, translated from Dagara as ‘Fake Love’, captures the journey of xylophonist Alfred Kpebesaane’s (pronounced Kway-Beh-SAH-Nay) origins from the Upper West Region of Ghana to New York City, channeling a novel and eclectic collaboration blending traditional Ghanaian xylophone (gyil) with computer processing and electronic synths by keyboardist and producer Brittany Anjou. On Nong Voru / Fake Love, Kpebesaane’s characteristic vocal eccentricities are shouted atop his masterfully-played xylophone, Anjou’s melodic and at-times-detuned mirroring keyboards playing the traditional role of support xylophone, and the rarest of rare: gyil sampled into electronic sounds of ping pong fractals by Brooklyn-based electronic musician Michael Clemow.

Tracks:

  1. N Saa Kuuna Veso (The Orphan Song)
  2. Gandaakpina Yangmaa Domme (The Landlord Passed Away)
  3. Yuor Na Nume (Sweet Problem)
  4. The Women Are Taking Over The Men
  5. Nang Nyong Me (Be Poor and See)
  6. The Impossible Song

Alfred Kpebesaane – vocals, gyil (Ghanaian xylophone)
Brittany Anjou – Nord Electro, Casio 1000P
April Centrone – drums
Oren Bloedow – bass on 3, 4, 5
Michael Clemow – live computer processing on 4, 5, 6
Rich Bennett – recording engineer, mixing engineer, sound design compositor
Kevin Reeves – mastering engineer
All music and lyrics by Alfred Kpebesaane. All tracks recorded on May 28, 2017 by Rich Bennett at Acme Hall Studios in Brooklyn, NY. Additional recording sessions with Michael Clemow and Brittany Anjou at Acme Hall Studios, and Oren Bloedow at The Owl Music Parlor completed in 2018. All tracks mixed at Acme Hall Studios by Rich Bennett. All tracks mastered at Universal Music in NYC by Kevin Reeves.

Catalog Number 
CR2103AL

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eXpanseplane – Hymn to The Endless Creator

eXpanseplane – Hymn to The Endless Creator

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Hymn to The Endless Creator is a new collection of abstract sound imaginations from eXpanseplane, the alter-ego of virtuoso Philadelphia-based electronic composer and producer Jesse Berg. On his fourth album for Chant Records, Berg balances an idiosyncratic palette of electronic sounds with various musical instruments and influences including contemporary jazz and classical music to create a collection of songs that are simultaneously melodic, dense, evocative and deeply personal.

Tracks:

  1. Ozymandias
  2. Kors
  3. nōn
  4. Exzisus
  5. Beltane
  6. The Art of War
  7. Bone
  8. Ezra
  9. Castor
  10. Guna
  11. Maneless
  12. Meraud
  13. Paracelsus
  14. Morrow of Returns
  15. Rex
  16. Sweet Spirit Near My Prayer
  17. Synastry
  18. Hymn to The Endless Creator
  19. Dream Within a Dream

Programmed, played, and composed by Jesse Berg

Catalog Number CR2103EX

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eXpanseplane – Tranzjenik
eXpanseplane – Deviate Vol. 1
eXpanseplane – Deviate, Vol. 2

Olson St. Clair – Western Free

Olson St. Clair – Western Free

 

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Artist Links
Olson St. Clair Facebook
Olson St. Clair Instagram
Jeffrey Olson website
Mike St. Clair website

On their debut EP “Western Free,” Texas-based free-jazz combo Olson St. Clair explores the boundary waters between genre and anti-genre music. Composers Jeffrey Olson and Michael St. Clair capture the poetic settings of American “western” music – the sweeping emptiness of the high plains, rolling Texas hill-country, blistering desert heat, urbanesque bustle of driven cattle – without relying on genre idioms that would chain the music to time or place. At the same time, they seek to subvert the sonic fabric of early free-jazz recordings while respecting the precedent set by Ornette Coleman, Eric Dolphy, and Pharoah Sanders. The key timbral departure is the addition of monophonic synthesizer to the early-Ornette two-horns-bass-and-drums paradigm. Wiley Greene’s swirling Moog acts at times as a third horn conversing with St. Clair’s trombone and Dave Sayers’ saxophone, while also pulling the band farther afield with brooding textures and soaring gusts of modulated wind. On compositions like Olson’s “Bodies in Motian,” – a tribute to the late great Paul Motian – Olson and bassist Sam Pankey skirt around each other playfully before settling into a trance-like groove, while “Cats in the Garden” brings the quintet together as a single, though fragmented, voice as they navigate St. Clair’s morose and searching melody.

Tracks:

  1. 54127
  2. Bodies in Motian
  3. Entropy Peak
  4. He Lurches Across the Room
  5. Cats in the Garden

Michael St. Clair – trombone
Dave Sayers – tenor saxophone
Wiley Greene – moog subsequent-37, yamaha cp-25 on track 5
Sam Pankey – double bass
Jeffrey Olson – drum set
Bob Hoffnar – pedal steel guitar on track 5

produced by Jeffrey Olson and Michael St. Clair
engineered and mixed by Spencer Garland
recorded at the Olson Family Compound, January 2019
mastered by Justin Douglas at King Electric Recording Co.

Catalog Number CR2102OL

Related:
Eyal Talmudi – Even If
Bartolo – Six Improvisations for Creatures and Machines